BREAK ON THROUGH AND ENTER A WORLD OF INFINITE POSSIBILITY

BREAK ON THROUGH AND ENTER A WORLD OF INFINITE POSSIBILITY

Leadership
Camille Geier, Managing Director / EP

An ILM alum, Camille has resided in New York for the past 20 years and will oversee BREAK+ENTER’s feature and television slate. She is a veteran in the world of digital visual effects, having built a solid reputation for excellence with high-level features, episodics and advertising campaigns for clients around the globe.

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Ari Rubenstein, Creative Director

A 30-year industry veteran, Rubenstein joined BREAK+ENTER in 2021 as a VFX supervisor and has led its work on several key assignments, including the Amazon Prime series Outer Range and the independent feature Nanny. Some of his favorite past work includes The Matrix, Constantine, Hellboy and Charlotte’s Web. He is continually inspired by the art and technology of filmmaking, and in addition to his commercial ventures, spends considerable time developing independent not for profit films utilizing a worldwide crew.

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Mark O Forker, VFX Supervisor

Mark O Forker (aka Marko) has been a photographer, editor, artist or visual effects supervisor for 35 years doing feature film, broadcast, commercial, documentary, and episodic television. He has lived in New York, New Jersey, Pennsylvania and California but traveled the world for his work. Known for his creative work with James Cameron, Ron Howard, Peter Jackson, Tim Burton, Julie Taymor, Ang Lee, Matt Reeves, Doug Liman and John Hillcoat.

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David Reynolds, VFX Supervisor

David W. Reynolds is an Emmy Award-winning visual effects supervisor at BREAK+ENTER, a Nice Shoes company. A 20-year industry veteran, Reynolds brings top-level experience across features, television and advertising, including such notable projects as Jessica Jones, The Tick, Joker, The Get Down and Boardwalk Empire. Reynolds oversees film and television visual effects from inception through delivery, supervises teams of artists and provides on-set visual effects supervision.

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Kris Cabrera, CG Supervisor
Kris started his career back in late 2007 as a CG generalist, mainly working on music videos and tv shows. He worked his way through the industry hopping from studio to studio learning the ins and outs of everything and working with artists to make sure all could do the best work they can. Now a CG supervisor pushing the boundaries of pipelines and artists is the name of his game!

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David Schnee, Compositing Supervisor
David Schnee has been creatively pushing pixels around for over 20 years in VFX, shepherded by optical dinosaurs, forged from digital heroes, he earned his keep with an ability to nuance creatures, environments, both practical & cg elements, + create other strange & unusual phenomena. With a passion for the photoreal and a love for the arts, he’s savvy with look development as well as developing strong teams of artists who thrive on delivering beautiful & exceptional work. Continuously inspired by nature, he enjoys cycling, road trips, and camping with his family.

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Mary Swain, Sr Operations Manager
Responsible for the day to day operations of the studio, Mary prides herself on finding more efficient ways of working and creating a collaborative workspace. With a background in Production, Mary is credited for such projects as Top Gun: Maverick, Black Panther
and Justice League.

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Jessica Beirne, Head of Production
An Emmy award winning producer, Jessica’s career spans over two decades producing projects in animation, live action, interactive and VFX. Telling stories is her passion and she loves finding new ways to do it. As Head of Production, Jessica oversees all projects from bidding to delivery. Recent credits include, Pinocchio (Guillermo Del Toro), The Nevers for HBO, Greta (Neil Jordan) and Sundance Award Winning, Nanny (Nikyatu Jusu).

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Liz Chrisofaro, VFX Producer
With a love for team management and building client relations, Liz has found her passion in her role as Visual Effects Producer. Through her experience on the production and VFX studio side of projects like Hail Caesar, The Irishman and Outer Range, Liz has found that working alongside Visual Effects Artists is where she feels at home.

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